Europe has it’s share of endlessly photographed bailiwick destinations in well-trod European cities. Milan’s Duomo, Paris’s Notre Dame, and London’s Parliament stay necessities, however a brand new wave of architects square measure seeking to upend the decorous dynamic of the circuit. Case in point: the recently completed Szczecin Philharmonic Hall, within the Baltic port town of Szczecin, Poland.
Less than ninety miles Northeast of Berlin, Szczecin enjoys an expensive cache of museums, art establishments and theater culture (it was a campaigner for European Capital of Culture 2016). The hall, associate expressionist hulk of semitransparent glass designed by the Barcelona-based Barozzi Veiga, puts the city’s civilised foot forward. It cuts a putting silhouette against the befuddled stock of Gothic and Communist-era styles—a series of jagged, pitched gables that crown the oblong advanced references of the silhouette of near Lord Castle. At night, the hall is lit from at intervals, rendering the whole building an enormous, light diamond.
Inside is not any less spectacular. the most room is dominated by associate huge white spiral staircase—reminiscent of Frank Lloyd Wright’s midcentury Guggenheim in ny that ends up in a 1,000-seat hall, a 200-seat venue for classical music, conference rooms, rehearsal halls, galleries, and a cafe.
The ceiling and walls of the most hall, comprised of undulating wood panels coated in gold foil, offset the stark white of nearly everything up to the current purpose, a compelling jolt to the thought of asceticism.
Opened simply over a year past, the Szczecin was recently awarded the 2015 European Community Prize for up to date Architecture—Mies van der Rohe Award, the highly-regarded biennial design prize, previous winners of that embrace Olafur Eliasson’s large Harpa hall and Conference Centre in national capital, and Snøhetta’s sloping Oslo theater.
The dramatic, sleek modernism of the new Szczecin would are enough to excite locals, nonetheless it additionally is a dynamic memorial. made within the seat of the previous Konzerthaus area, vacant since its destruction throughout war II, its terribly existence is symphonic testament to regeneration.
The van der Rohe jury thought the maximum amount, commending the Hall’s style for locating “a convincing formal and spacial strategy for a town that strives for a higher future during a fast-changing economy and social patterns, delivering a dignity to urban life and therefore the same time enhancing the city’s specific historical identity with a recent monument.”
So grab a fried pasztecik szczeciński and soak up a night of “Nemanja Radulović will Mozart,” or just witness a town on the cultural rise.